ARTIST STATEMENT

I do not have a gentle approach to painting - it is an energetic physical act. Action painting is at the center of my practice. I use my hands for smearing, blending and erasing. I construct the composition in layers, colors and various mediums; my favorites being acrylics, oils, pastel, oil pastel, watercolor, and spray paint. Keeping an open mind during the process is essential. It ebbs and flows until I feel like I have fully expressed my vision on paper or canvas. My work is a melting pot of intuition, movement and labor.

A characteristic of my work is that the initial architecture of the work underneath remains visible in the finished state. Process is revealed in each picture. I value the pure intention of the initial idea and draft; it is the purest expression of the work. First, I lay down a sketch for the initial groundwork - this might happen in charcoal or ink. As I continue to sketch, bodies of color define themselves and become cues to the composition that connect to form a focus. The work starts to take on a life of its own.

Expressive and abundantly colorful, playfully challenging, my work contains a raw stream of shapes and colors traveling from imagination to brush. It is not aiming to be polished or life-like for I am naturally drawn to semi-abstract work. Instead of settling on one specific subject or style, I take on the limitless scope of life while attempting to stretch my own capabilities and evolve with each painting. Most important to me is a raw emotional quality in the end.

My paintings are personal and based on my experiences of life, my ideals, my beliefs, my mindset. I paint my own evolution inspired by whatever it is I am touched by in that moment. Painting is how I best express myself. It is a way for me to connect with the viewer, although everything is open to multiple interpretations. My objective is to touch and move the viewer. To provoke curiosity, offer a different point of view, and present an element of mystery. Color is my ultimate vehicle for emotions.

By Universal law, everything that is healthy and joyful wants to expand. I believe that is also the reason why I paint; that I have something of value to offer and through painting I get to a higher, happier place. Painting lets me connect and expand.

 

 

 

New York, 2016

Mixing colors in the studio in Long Island City, New York.

New York, 2017

LIC, New York. "Urban Conductor" on the easel, "Displaced" on the wall.

New York, 2017

Working on an abstract face painting in acrylic, ink, pastels on paper.

Los Angeles, 2020

two abstract face paintings side by side in the studio, Los Angeles 2020.

Los Angeles, 2019

"Song for the Moon, the Stars" on the easel, an abstract painting from 2012 om the wall.

Los Angeles, 2020

"A Love Supreme", a John Coltrane inspired artwork in acrylic and oil stick on canvas.

Los Angeles, 2017

An abstract pastel drawing over Los Angeles, 2017